I like a darker sounding drone, so I used the minor seventh (2 semitones down). Major Seconds (2 semitones up), and sevenths work well. Add another sine wave to at least 2 of the VST instances and tune it to a diatonic scale degree. You must add some subtle harmonic content very low in the mix. You may want to rename this synth something like “transposed”. Consider turning this oscillator down a little in the mix – it should not throw off the tonal center. I decided to change my highest pitched oscillator to the fifth of the scale which is 5 semitones down (See Blog: Scales, Intervals). Hold off on any dissonant intervals, we will add those later. Try transposing 1 of the oscillators in your set-up. Unlike most music, they are not supposed to sound like a mix of individual elements – more like one sound, from many different perspectives, in space. STEP 2 – TRANSPOSITION and SUPPORTING SINESĪs mentioned above, we will make all pitch deviation and transpositions within the synths themselves rather than in the sequencer. The static drone should sound something like this… This avoids confusion and the visual inconsistency that occurs when a transposed synth is sequenced. What is more, drone music is static and cohesive enough to make all transpositions and pitch changes from the synths themselves. The note in the sequencer is simply acting as a trigger, telling the synth to “go”. As boring and cheap as this seems on the surface, it is best. Bring the sustain to full.ĭraw a long note in the sequencer and duplicate the block to each track. In addition, we will need a long, fat attack and release on these synths. Detune a couple of them (not the sub) to induce beating. I chose to make 3 sine wave operators in FM on different octaves and 1 sub-oscillator in Serum. Create 3 or 4 instances of any VST synth that features a clean sine wave and start with just that. It is best to think on a modular level when making the sound. Drones are all about the mix of tones and how they interact at different levels. Doing so will push you closer to the mixing stage, which is critical. By preparing the key elements of the drone before composing, you avoid this difficulty. It is difficult to keep a song’s composure when there are no definitive limitations or boundaries. STEP 1 – CREATE THE ELEMENTS and THE TRIGGER In this article, I will be walking through my method for composing a drone using VST synthesizers and automation in Lumit. Some sound realistic, others sound alien. They are suitable for a lot of different moods: sad, contemplative, hopeful, angry. With success in every facet of the industry, this is a great person to learn from.If you’re a fan of film and game music, you have probably heard a lot of these evolving drone sounds that carry suspense and tension over a scene or two. He taught himself how to mix every genre and use Ableton and now he can teach you. He then went on to play at pretty much every club in Brighton, U.K to then conquer London, U.K and now Manchester, U.K. He landed his first Residency during university playing the graveyard set in one of Brighton’s most infamous clubs. He found it extremely difficult and felt no one on Youtube was at the level to appropriately teach him or have the sound he desired, so he taught himself. The owner of Music Workflow Academy taught himself how to DJ and Produce from Scratch. Being a Multi-Genre DJ/Producer with tracks being played on the radio and international residencies. He has his own experiences in which he can teach you valuable lessons you can learn nowhere else. World Renowned Omar Meho will guarantee your success as a DJ or Producer. Free download - Udemy Xfer Serum Beginner Comprehensive Masterclass TUTORiAL
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